First books are hard. You’re figuring out everything on your own, your only help usually being other unpublished writers and/or readers untrained in the editorial arts. First graphic novels are even harder, because not only do you have to figure out the story elements, you also have to master the craft of visual, sequential storytelling.

So a first graphic novel by a solo writer/artist is a herculean labor, and for that reason it’s an extraordinary joy to discover one that is as well-executed and personally moving as Over the Wall by Peter Wartman.

What first caught my eye was the unique worldbuilding—especially his mash-up of pre-Columbian Mesoamerican and south-east Asian styles of architecture that feels both supernatural and solidly grounded in reality. But what drew me into the rest of the book was his solid, simple manner of storytelling: a girl is looking for her lost brother, so lost that he’s even lost his name, and she’s willing to face the demons of an abandoned city to bring him home.

Wartman has gone on to pen a sequel, Stonebreaker, and to draw several issues in the Avatar: The Last Airbender series of comics. He’s a great illustrator, and I wish him many further successes!

Unlike the places in my last post, we can actually go here! Right now, even! Well, if we had money and time for travel. And I guess it’s not a pub. It’s a restuarant–the oldest restaurant in the world: Restaurante Botín in Madrid! The fire in the oven has been burning since 1725, nearly 300 years!

I think of the Vestal Virgins of ancient Rome tending the flame in the sacred hearth lest calamity befall the city. If Restaurante Botín’s fire goes out, it means that the ovens won’t be hot enough to serve patrons… and that a nearly 300 year record will be broken. It’s a little thing, but there is a mite of comfort in knowing that an oven can stay lit for three centuries. The world is burning, but this is part of it that’s supposed to; a little fire of knowledge burning in the hearth in the back of my brain.

Squire, by Sara Alfageeh and Nadia Shammas

We’re always on the lookout for stories with an epic flare to them. So when Megan showed me the cover of Squire, it caught my attention immediately. Opening this graphic novel did not disappoint: it’s the story of Aiza, a daughter of a conquered nation given the opportunity to fulfill her dreams of adventure—as well as to gain the privileges of citizenship—by training to become a squire in the imperial army. Throughout her training, she pushes herself harder than she thought possible, makes unexpected friends (and enemies), and faces challenges both personal and political.

It’s set in a fictional world, but one highly evocative of the medieval Levant. It captures the atmosphere of all the empires that have occupied that territory without burdening the story with the complications of real-world history. Instead, it establishes a diverse set of cultural dynamics within its own setting, setting the military hierarchy of knights, squires, and footsoldiers in tension with the conflict between the various ethnic groups within the military, and exploring the role of that military within the larger empire. Aiza navigates this tricky terrain, ultimately setting her own course toward honor, virtue, and justice.

The artwork captures the personality of both the characters and the setting, with gorgeous landscapes, expressive faces, and thrilling action. I liked where it left Aiza at the end, but there’s room for more of her story, so I hope it might lead to a sequel someday!

–Robert

I have a part time job as a library page (so does Robert! but he’s at a different library) – basically, we re-shelve books at the library. My interaction with patrons is fairly limited and usually brief, mostly, people ask me to help them locate books or other media.
During one of my most recent shifts, a young boy browsing with his mom asked me where the “Captain Underpants” books were. I took them over to the shelf.

Photo by Rabie Madaci on Unsplash
Megan’s note: please do not do this with library books.

Me: Here are the ones we have in right now. But if you want a different one that we don’t have, you can put it on hold.
Young Reader (excitedly grabbing a volume): This is the one I needed! Thank you!
Me: You’re welcome, I’m happy to help!
Young Reader (trying to hand me a quarter): Here’s your tip!
Me (trying not to laugh): That’s so kind, but you don’t need to tip me, or anyone who works here.

His mom was stiffling laughter too and they walked off to find more books or check out. It was encouraging, and heart-lightening. It definitely gave me hope for the youth and hope for the human race. Which was somewhat dampened15 minutes later when I found two young children dismantling the fiction section by taking random books off the shelf and reshelving them backwards in random places. Annoying, but I guess it’s job security.

Making cuts Project 365 Day 297
We’re not quite this old-school. Image by Keith Williamson

Editing is hard.

When we started recording our podcast, we had the idea that the best approach would be to record everything we possibly could say about each book of the Iliad, then edit it down to just the very best stuff — the funniest jokes, the smartest insights, the most completely correct and fully researched details. We did lots of takes, even came back and did some re-recording on occasion.

Then we sat down to edit them.

Neither of us had done significant audio editing before this, so we had to teach ourselves how to use Audacity, and then had to listen through the recordings and log them and create a rough cut and then refine that cut and smooth over the transitions and mix and master and add music and . . . you get the picture. It was more work than we expected, and we quickly realized that we weren’t going to be able to put out episodes nearly as quickly as we wanted.

We almost gave up. But instead, we persisted. And we gave a lot of thought to our recording process. After all, one of the things editing taught us was that our first take was usually pretty decent to begin with. Another was that the longer we talked the more tired we became, which didn’t help our wit or sparkle. And finally, we learned from listening to other podcasts and talking to other podcasters that many shows just recorded one take, basically live, and did little editing beyond adding music at the start and finish and running it through a quick noise filter.

That seems a much more sustainable model, so we’re shifting gears in our recording strategy to minimize editing and post-production time, and to get episodes ready to post much more quickly.

We still have several episodes recorded in the old way to edit. We’re getting faster, but we just talked a lot and then talked some more, so there’s a lot of editing work still to be done. That said, there’s light at the end of the tunnel, and we’re looking forward to posting some episodes soon.

When, exactly? Well, we don’t want to make any promises that we can’t keep. We can say, a couple months, minimum. But at one point it was looking like years, and that’s what brought us to the brink of giving up.

So please hang with us a little longer. We’re slowly figuring this out, and we’re excited to start sharing our literary adventures with you!

— Robert

Photo by Clay Banks on Unsplash

So we’ve got a tavern in Lagash, and the thermopolium in Pompeii – I think we just need one more ancient eatery and we can start an epic pub crawl through history! Anyone hear of anywhere/anywhen good recently? I’m up for trying pretty much anything.

Years ago when I had the chance to travel a little in Europe, I was thrilled to visit pubs and taverns that had been in operation since the middle ages. It would be so cool to find something even older that had been in continuous use even longer. Some research to add to the rabbit holes I eventually want to follow down.

Pax et vale – Megan

We’d hoped to get this out about a week ago, but launching a podcast was a little more complicated than we expected. Still, we are well and truly able to say: we have a podcast!

The name is the same as this website, because the podcast will be central to the whole purpose of Epic Book Club: to read epic books and talk about them, or read epic books and live epic lives, or something like that.

The translation we’re using

Season One of the podcast will cover the Iliad. We’re starting with a “zero” episode, because we wanted a before-and-after effect: a snapshot of where we are before this read-through, and then another at the end.

We’re following a comment-as-we-read format: each episode will cover one or two Books of the Iliad. We’ll talk about those books in depth, largely avoiding spoilers for the rest of the epic, and hopefully encouraging more and more readers to read along. This means Season One will probably run somewhere between twenty and twenty-four episodes.

At first, we’ll release episodes at least once a month. Once we get the production into more of a flow, we’ll start releasing them more often. But we have lives, and we’d rather be realistic about how often we’re able to publish than make promises we can’t keep.

We’re listed with most major podcasting services. We’re on Apple and Spotify and Amazon, and should be listed on Google in the near future. We’re also on a bunch of others, like Overcast and Stitcher and Podcast Addict and probably whatever you use. But no matter what, you can find our RSS feed and our catalog on Buzzsprout (also linked in this website’s main menu).

We hope you’ll join the conversation! We’re looking forward to getting to know you, and sharing some epic books together!

The problem with having lots of interests is that it’s hard to focus on one of them long enough to finish it. And when we do focus on something, it usually means neglecting something else.

So we’ve neglected this blog for a while.

But the reason is because we’ve been focusing on our podcast! We’ve got a couple episodes recorded, and are planning to drop the first one soon!

The podcast will really hit the heart of what we want to do here at Epic Book Club, which is to build a community of people who can read epic books together and talk about them. We’re starting with the Iliad, because it’s the first work everyone thinks of when they hear the word “epic”. It’s the starting point for the idea and genre of epics.

But it’s hardly the last word on epics. After the Iliad, we’ll explore epics from all over the world.

Are you excited to discuss the Iliad? What other epics do you want to talk about?

Is a story that makes you think, “Whiskey Tango Foxtrot” a mystery? Because that’s what I’ve got for you this week.

“Llama Supreme” Image by Alan Levine
  • Character: Llama Rancher
  • Object: Deck of Cards
  • Genre: Mystery/Fantasy

In a moment of panic, as the timer counted down, I realized that I had a great set up for a murder mystery, but I had no idea how I wanted to resolve it. Then I remembered that the genre was mystery/fantasy, so I introduced magic. And a bit of nonsense. Well, I still like it.

How would you use these prompt elements in a story? Please let us know if you write your own!

Continue reading “Friday Freewriting – September 10, 2021 – Megan”
Llama
“You talkin’ to me?” Image by louiscrusoe

This week truly brought the “random” out of our random prompt generators:

  • Character: Llama rancher
  • Object: Deck of cards
  • Genre/Tone: Mystery/Fantasy

So, I’m really not sure what to make of this story myself. I’ll just say, Megan and I are thinking of making T-shirts that say, “All the llamas knew better than to engage in fortune telling or necromancy of any kind.”

If you feel like following this writing exercise yourself, feel free! Let us know what you come up with by posting the story (or a link to it) in the comments! And till then, well, keep focused on the present.


Ezekiel moseyed over to where her ranching partner Gerey was leaning on the twisted wood-and-vine fence that enclosed the small llama pen. She brushed the loose fleece from her vest and dungarees and coughed the musk of the llamas out of her lungs as she approached.

Continue reading “Friday Freewriting – September 10, 2021 – Robert”